This July will commemorate the 5 year anniversary of Azealia Banks' mixtape, 'FANTASEA'. This September will commemorate my 20th anniversary of being alive. Basic math will show that I was 14 when I was fully exposed to Azealia's creative integrity and commitment to music.
Having heard, and already being a massive fan of Azealia's 1991 - EP (2012), it wasn't until her first mixtape that we truly got to experience her voice and stories. Samples of the mixtape released prior to release included the infamous '212', fan-favourite 'Fuck Up the Fun' and a brand new song 'Jumanji'. Listening to just these three songs will show her versatility and worth. On mixtape release day, I was presented with a 19-song strong tracklist - and without trying to sound over dramatic, my life changed.
At 14, my music knowledge was probably wider than the majority of my classmates' - but that only included chart toppers and songs my mum would blast from the bath, late on a school night. Banks was one of the first artists I could truly run into school and inform my peers about. Here's just a couple of memories I have with certain songs...
For a larger portion of my early teens, I was part of a dance troupe for a local company. My relationship with the dance teacher was very personal. We would be eager to start our dance lessons on a Tuesday with new music from the week, and discussing choreography to our own fan-made mixes. When 'Jumanji' was released, I instantly visualised choreography alongside it and had to inform Shaun! (This is the days before I utilised Facebook Messenger, so Tuesday was looming). Our dance studio was on the second floor of the leisure centre and I remember being sat on the viewing deck, overlooking the main entrance. I got there so early just to make sure I was the first to see Shaun and inform him on how sick this song really was. He clicked with it straight away, and we freestyled in the studios while we were waiting for the other students.
I went to a pretty decent secondary school - we were academically the strongest school in the area, with plenty of students from various cultures/backgrounds. We would have these house parties pretty much every weekend and I always remember getting stressed out at some of the music choices. These kids were mixing slow music straight after a trance remix of ''What Makes You Beautiful' and I wasn't feeling. Once in a while, I would take of the aux and I was eager to play 'Esta Noche'. The intro is pretty long, and I was prepared for some back lash, but my girls could trust me. Better believe when that drop came in, it became a fan favourite and actually created some fans of Azealia. This song let me truly embrace my little gay ass, as flamboyantly as I wished.
Twitter was THE place to be back in 2012/2013. Everyone really did get along, and it was a place where live tweeting was a given. Twitter introduced me to RuPaul's Drag Race - a US based competition for drag professionals to prove they are America's next Drag Superstar. I was introduced to a culture of gay black men in the Ballroom scenes. 'Paris is Burning' became part of my vernacular (without the inappropriate cultural appropriation, of course). In turn, I could appreciate songs such as 'Fierce' and 'Chips'. On first listen of the mixtape, they essentially went a miss as I couldn't resonate or white people dance to them. These songs make me feel kunty and inadvertently tell me to take up Vogue'ing lessons. Being part of Azealia's fanbase opened my eyes to a new world of dance and culture.
The visual direction for the music video to 'Atlantis' was perhaps the only thing from the 'Fantasea era' that wasn't necessarily introduced to me by Azealia. Being one of the original Tumblr kids, I was fully aware of the vaporware scene. However, for Azealia to indulge into it was a shock for me. I had only seen her as a house/RnB artist with plenty of early 2000 references. This was new and exciting, weirdly edited and not what I expected from listening to the song. The video was released whilst I was doing my GCSEs, and I remember being sat in a Drama Theory class when I got the notification. I showed my friend, who was already familar with 'Esta Noche', and asked her what she thought. She agreed she had never seen anything like it before. She was a force to be reckoned with.
The release of 'FANTASEA II: The Second Wave' is looming, and it's always nice to look back at how music has changed you. It's not always obvious at the time, but I'm typing with a big smile on my face right now. If you've never given Azealia's music a chance, all I can do is beg you to look past any negative headlines you might have seen about her. 'Along the Coast' and 'Count Contessa' are really nice previews of whats to come.
0 comments: